Thursday, August 17, 2006

"Adventures of Superman" Seasons 5 and 6


I usually don't use this blog as a promotional tool, but I was definitely honored to have been invited to participate in the special feature of this DVD set (which is due for release on November 14)... and I was knocked for a loop that my name is on the back of the box. I was expecting to be lumped into a "various Superman scholars/authors" notation, but all four of us were actually named. Here it is, courtesy of TVShowsonDVD.com:

As long as I'm getting personal, I should probably explain what's been happening with this blog... or, more specifically, why this blog hasn't been happening much. In short, a number of factors have prevented me from giving this space as much attention as I'd like. My home computer crashed for a time. My scanner stopped working. I got a new computer at work, which doesn't include the program that allows me to make DVD captures. And, most of all, real life keeps getting in the way.

Perhaps, since this is a blog that focuses on old TV, I can resume a full slate (for me, anyway) of posts come the fall. I certainly hope so. There's much more I'd like to say here. Meanwhile, if you're a new visitor, please peruse the previous 6 months of archives; if you're a regular, you could do the same and call it "summer reruns."

Monday, July 31, 2006

And So It Begins: June 6, 1964


Desilu was definitely on a downhill slide when Desi Arnaz sold his half to his ex-wife. During the previous decade, the company had several network series beyond I Love Lucy; these included December Bride, The Ann Sothern Show, The Texan, Those Whiting Girls and the venerable Desilu Playhouse, which gave birth to The Untouchables and The Twilight Zone.

By 1964, Desilu was down to The Lucy Show. Sure, they were renting facilities to Danny Thomas - Sheldon Leonard, producers of Make Room for Daddy, The Andy Griffith Show and The Dick Van Dyke Show... but Lucy certainly didn't own any piece of those hits. Hence the "all-out effort" described above.

Which led to... well, as far as Martin Jurow's contribution, if any, it's lost to time. Jurow's IMDb entry lists only further motion pictures for Blake Edwards during this period: The Pink Panther and The Great Race. Goodman and Klein came up with something called Good Old Days, a family sitcom set during the stone age. A live action Flintstones rip-off, perhaps? The star was Darryl Hickman (as "Rok"); the parents were played by Kathleen Freeman and Ned Glass. The show didn't sell, and the pilot aired on NBC in July 1966, in the days when networks "burned off" their excess waste during the summer months. (Come to think of it, aren't they still doing that?)

Which leaves us with Gene Roddenberry... and we all know what he created for Desilu, don't we?

Thursday, June 29, 2006

When the Kids Ruled the Tube




There were times when you'd be forgiven for mistaking TV Guide as a kid's magazine, filled as it was with advertisements for children's programming... and with full-page blurbs more often than not.







All of the ads you see here are from 1956, lifted from New England, Pittsburgh, Baltimore-Washington and New York City editions.

All-in-all, 50 years ago was a great time to be a kid... wouldn't you agree?

Wednesday, June 14, 2006

George Reeves, Your Candid Reporter


Toward the end of 1955, actor George Reeves, then starring in the Adventures of Superman TV series, came up with an idea for a series of commercials. He and his manager, Art Weissman, formed "Candid Reporter Productions." Reeves' idea was to present himself as the "candid reporter for Kellogg's" (and possibly other products), as he filmed the stars in their homes enjoying, and reaping the benefits of, the sponsor's wares.

And what better subject for the pilot film than himself? Weissman turned the camera, as George began his day with a bowl of Kellogg's Corn Flakes - then the Superman cereal of note. Appropriately fueled, George dons his gi and is ready for a judo workout in his back yard.

This commercial, which never aired, was filmed entirely in Reeves' home. That it was nothing more than a test is evidenced by the fact that George's hair is not dyed for his "candid reporter" introduction; nor is there any professional lighting or editing (although it does contain one lap dissolve, possibly something that could be accomplished in the camera itself). All of the footage - even George's spoken intro - was shot silent and overdubbed later.

The introduction takes place in George's den, and then, when we discover that "our guest star" is himself, we are taken to his bedroom.

Yes... that bedroom. The one where, less than four years later, George Reeves' life came to a sudden, tragic end. This coming Friday will mark 47 years since that fateful event.

There's been a lot of debate (healthy and unhealthy) about that day, June 16, 1959. A man, a hero, beloved by millions, left us under circumstances that were at best suspicious, and at worst nefarious. Some believe that Mr. Reeves found himself caught up in a lifestyle that was spiraling out of control and, in a moment of drunken despair, chose an irreversible escape. Others are firmly convinced that somebody got away with murder that night. Both sides are represented by people who actually knew Reeves personally, and by those who knew him only through their weekly, and later daily, 30-minute visits with his most lasting role. And both scenarios have been postulated by scholars and researchers who have dug deep into the mystery, sought out experts in the fields of criminology, forensics and suicide pathology... and still cannot say with certainty what exactly happened.

A theatrical film, Hollywoodland, is expected later this year; its theme is the death of Reeves, with Ben Affleck playing the actor. Word-of-mouth is that the film won't pull any punches regarding George's troubled last days - the man died with a blood alcohol count of .27, after all - but also shows due respect for his life.

It's a little disconcerting to watch "the candid reporter" footage today, seeing George playing in bed with his pet schnauzer, Sam, then rising up to greet the morning... knowing that one day, in that very room, he would lie on the bed and never get up.

But lately the tide has turned. The tendency now is to put aside questions about death, and celebrate the life of a man who really was something of a Superman. A man who faced the challenge of portraying an invincible alien dressed in "a monkey suit" and did so with dignity and respect for his audience. A man who took the time to visit orphanages and children's hospitals, and bring ailing youngsters face-to-face with their TV hero. A man who, even when the series had ceased production, had the grace to keep his personal life out of the newspapers, refusing to alienate his juvenile followers for the sake of cheap publicity.

This weekend, Woolstock Iowa - Reeves' birthplace - will be hosting a celebration of George's life and career, the purpose of which is to raise funds and attention toward restoring the home in which he was born. Details can be found here: http://www.georgereevesmemorial.com/

Sunday, June 11, 2006

And So It Begins: March 10, 1962


If Oscar Katz had never made another "enthusiastic" programming choice in his career, this one would assure him a place in TV's Hall of Fame.

This early mention of a situation comedy that would premiere on September 26, 1962 was just the kick-off to reams of coverage that followed in the wake of its nine-season run... very little of it positive. Did Katz forsee the impact this show would have, not just on his network, but on television comedy as a whole? Undoubtedly he would say "Yes."

The Beverly Hillbillies shot to #1 in the ratings in a mere three weeks. That was unprecedented; even I Love Lucy - at a time when there were fewer sets and fewer choices - took three months just to get to #2. To complicate matters, most serious critics hated this show. Renowned author (and then-critic for TV Guide) Gilbert Seldes practically found himself apologizing for liking it: "The whole notion on which The Beverly Hillbillies is founded is an encouragement to ignorance - in a time when our only salvation lies in education. But it is funny. What can I do?"

Katz's selection did much to shape the future of CBS. When the Hillbillies debuted, the network already had one sucessful folksy sitcom: The Andy Griffith Show. Once Hillbillies soared, CBS pulled out all the stops. Hillbillies begat Petticoat Junction, which begat Green Acres. And Griffith begat Gomer Pyle, USMC and later Mayberry R.F.D. By the time Hee Haw came along at the end of the decade, CBS had settled into its role as the Cornpone (or maybe Cornball) Broadcasting System.

But just why did the Hillbillies get so far so fast with viewers? "It's the least obvious, most unpredictable material I've ever been associated with," said Buddy (Jed) Ebsen early on. "Sixty million viewers can't be wrong," affirmed Irene (Granny) Ryan. Both were show business veterans, going back to the vaudeville era. And both were correct.

America certainly took this series to its heart. It's probably no accident that it reached #1 right around the time of the Cuban Missile Crisis. When the nation was plunged into shock and grief on Friday, November 22, 1963 by the assassination of President Kennedy, it quickly tuned to The Beverly Hillbillies for comfort. For years, the seven episodes that immediately followed that terrible weekend were the highest rated TV shows ever. Once you deduct sports, movies and mini-series from the mix, you'll still find them in the Top 20.